there are some joints on here that i can’t get enough of. bringing it back
mo b dick
how can you go wrong with an r&b name like that. no homo.
Gangsta Harmony is the debut album by singer/producer, Mo B. Dick. It was released on April 27, 1999 through No Limit Records and was produced by Mo B. Dick himself and the other members of Beats By the Pound. Gangsta Harmony wasn’t much of a success, only peaking at #66 on the Billboard 200 and #16 on the Top R&B/Hip-Hop Albums.
this is a madd flashback. i never knew there was a video for this joint. i used to hear this on our local hiphop radio show back in the day ‘morning drive-by’ hosted by maximus clean.
it’s videos like this that put some things into perspective for me. seeing these broads dressed so thugged out and acting hard. you would never catch that shit in vancouver at all.
a couple of my favorite parts to this video are when they are rapping in the cave and partying madd hard. who made that desicion.? haha
plus at 1:30-1:36 where the dude on the far left is hanging on the window bars just jamming out doing his jig. he just seems so silly for doing so. imo.
Eclectic Mouse is JOE N. CORRAL – flute, BARRY DOWNS – trumpet, TIM DOWNS – drums, KRISTEN ENGSTRAND – piano & organ, RICK FELIX – tuba (Yes, tuba!), STEVE FORMAN – percussion, BILLY GONZALES – trumpet, BEN HARVEY – trombone, DENNIS LYNDE – guitar, JERRY MANFREDI – bass, JOHN RENNER – tenor sax, ERNIE SANTOS – alto sax, JOHN SMART – french horn (Yes, that too!).
From Fuzz, Acid & Flowers by Vernon Joynson:
“Nicely packaged to look like an EMI or Harvest import (just so we knew it was sophisticated) this concept album is basically the vision of one individual… Steve Forman. Subtitled “Suite for voice, wind ensemble, percussion and electric instruments” it fits into an odd catagory of big band music that was at the same time ambitious and experimental in all the best ways one could be at the end of the sixties. A very interesting record, not always rock or psych – there are no fuzz guitars (well maybe once) and sometimes there are effects on the vocals. Lyrically it is “deep”, stylistically eclectic. Kind of like Lionel Bart directing a Three Dog Night / Grand Wazoo collaboration with Gary Usher producing. There are no song titles, just six movements.
“A quote from the inner sleeve notes: “Musicians are challenging the long accepted borders separating popular and intellectual music, expanding the musical vocabulary on both sides. The styles are blending and the stereotypes are disappearing. Today’s competent American musician must be as familiar with Eric Clapton and Sly Stone as with Beethoven and Bartok, Miles Davis and Oliver Nelson, Jim Webb or Buck Owens. Past predjudices within the industry are becoming myths…”. It was recorded in Arizona.
1. Is This My Life feat. Ransom
2. Blackout Freestyle
3. Five Alarm Blaze Freestyle
4. Heartbeatology
5. Nobody Loves Me feat. Stack Bundles
6. You’ll See Freestyle feat. Ransom
7. Nastradamus Freestyle
8. Interview Part 1
9. Boy Looka Here Freestyle
10. Banned From TV Freestyle feat. Stack Bundles
11. Shit Hits The Fan Freestyle feat. J.Conway
12. It Blows My Mind Freestyle
13. Breathe Freestyle
14. Not Your Average Joe
15. Interview Part 2
16. You Know What’ll Happen feat. Stack Bundles
17. This Gangsta Ft. Beanie Sigel
18. Whats Good
19. One Two Freestyle feat. Fabolous
20. Seen It All Before feat. Stack Bundles
21. Reservoir Dogs Anthem feat. Stack Bundles
22. Interview Part 3
23. When Animals Attack Freestyle feat. Hitchcock
24. Shut’em Down Remix Ft. Geolani, Fabolous & Hitchock (Produced By Metro Beats)
25. Two Sides Of A Coin Remix Ft. Cambatta (Produced By DJ Nice of Crack City)
the beats on this joint are crazy stand out cuts = 1. six 12’s, 3. Thuggin, 9.Bitch, 29. gangsta music
straight up for your trunk… in my case the headphones and hood stereo ive got… *sigh*
anyways… this mixtape is a must download to start bumping before the summer starts
1. (00:02:50) Webbie & Lil Boosie – Webbie- Six 12’s
2. (00:01:07) Webbie & Lil Boosie – Lil Boosie- Where u from remix
3. (00:03:00) Webbie & Lil Boosie – Webbie ft. Lil Boosie- Thuggin
4. (00:01:43) Webbie & Lil Boosie – Lil Boosie- Im Thug
5. (00:04:19) Webbie & Lil Boosie – Webbie ft. Birdman & Rick Ross- A miracle
6. (00:01:50) Webbie & Lil Boosie – Lil Boosie- U know its me
7. (00:00:37) Webbie & Lil Boosie – Webbie- Watch my shoes remix
8. (00:01:27) Webbie & Lil Boosie – Lil Boosie- I’m a hustla
9. (00:02:25) Webbie & Lil Boosie – Webbie- Bitch
10. (00:01:05) Webbie & Lil Boosie – Lil Boosie- my pockets swoll
11. (00:01:12) Webbie & Lil Boosie – Webbie- Aint no bitch
12. (00:01:11) Webbie & Lil Boosie – Lil boosie- adios
13. (00:02:58) Webbie & Lil Boosie – Webbie & Lil’ Boosie- Independent
14. (00:03:32) Webbie & Lil Boosie – Webbie & Lil’ Boosie- hustlin
15. (00:03:39) Webbie & Lil Boosie – Webbie & Lil’ Boosie- Do it big
16. (00:01:33) Webbie & Lil Boosie – Webbie- I like it
17. (00:02:45) Webbie & Lil Boosie – Webbie & Lil’ Boosie- Keep it gangsta
18. (00:02:33) Webbie & Lil Boosie – Webbie- Like that
19. (00:03:19) Webbie & Lil Boosie – Webbie & Lil’ Boosie- I represent
20. (00:04:00) Webbie & Lil Boosie – Webbie- How u ridin
21. (00:01:36) Webbie & Lil Boosie – Lil’ Boosie- Hate me
22. (00:03:54) Webbie & Lil Boosie – Webbie- Money, cars
23. (00:03:36) Webbie & Lil Boosie – Webbie & Letoya Luckett- I miss you
24. (00:04:06) Webbie & Lil Boosie – Webbie & Lil’ Boosie- Smokin on purple
25. (00:01:32) Webbie & Lil Boosie – Lil’ Boosie- 745
26. (00:02:54) Webbie & Lil Boosie – Webbie & Lil’ Boosie- Swerve pt.2
27. (00:01:07) Webbie & Lil Boosie – Lil’ Boosie- Models
28. (00:04:28) Webbie & Lil Boosie – Lil’ Boosie & Webbie- wipe me down (re
29. (00:03:29) Webbie & Lil Boosie – Webbie- Gangsta music
30. (00:02:21) Webbie & Lil Boosie – Lil’ Boosie & Young uck- Damn right im bout mine(exclusive)
31. (00:01:35) Webbie & Lil Boosie – Lil’ Boosie- How I roll(exclusive)
here’s another westcoast throwback
incase you dont have the album go buy that!!!
or download here
Souls Of Mischief – 93 til infinity
1. “Let ‘Em Know” (produced by Domino)
2. “Live and Let Live” (produced by Domino)
3. “That’s When Ya Lost” (produced by Del tha Funkee Homosapien)
4. “A Name I Call Myself” (produced by Del tha Funkee Homosapien)
5. “Disseshowedo” (produced by Domino and Jay Biz)
6. “What a Way to Go Out” (produced by Domino)
7. “Never No More” (produced by A-Plus)
8. “93 ’til Infinity”(produced by A-Plus)
9. “Limitations” (featuring Casual)(produced by Jay Biz)
10. “Anything Can Happen”(produced by A-Plus)
11. “Make Your Mind Up” (produced by Del tha Funkee Homosapien)
12. “Batting Practice” (produced by Casual)
13. “Tell Me Who Profits” (produced by Domino)
14. “Outro” (produced by Domino)
The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples. 93 ’til Infinity is often heralded as the best album to come out of the Heiro Golden Age, a period in the early-to-mid-nineties during which the collective released several critically acclaimed albums (including Del tha Funkee Homosapien’s No Need for Alarm and Casual’s Fear Itself) and rose to national prominence.
93 ’til Infinity was propelled into success by its title track and lead single, which reached #72 on the Billboard Hot 100. It also featured singles “That’s When Ya Lost” and “Never No More” which reached the Hot Rap Singles, but never charted on The Billboard Hot 100. According to All Music Guide author Steve Huey, “Although the title cut is an underappreciated classic, 93 ’til Infinity makes its greatest impression through its stunning consistency, not individual highlights.”[1] Huey also goes on to remark that 93 ’til Infinity is “one of the most slept-on records of the ’90s”.
i didnt realize g unit jacked this track for their mixtape… this track is so ill… playaz circle needs way more exposure…
which do yall think is killing it?
*update* just was reminded that wu also did this track up… meth killed the the track… but i gotta say taht phonte’s chorus was the best…
ps. phonte kills the track!!!
(the song starts at 0:42)
playaz circle – paper chaser feat. phonte
ghostface – yolanda’s house feat. method man & raekwon
g unit – paper chaser
playaz circle – duffle bag boy feat. lil wayne
i normally wouldnt fuck with weezy just cuz he got so played wiht his goobly goobly shit… but he killed this chorus…
According to a report from The Canadian Press posted today on The Globe and Mail’s website, only four hip-hop acts received federal grants in 2007. That’s a miniscule number compared to artists of other musical persuasions who won monetary favour from The Canada Council for the Arts.
This revelation is particularly shocking in an age when Canadian hip-hop has grown far beyond the roots planted by pioneers like Maestro Fresh-Wes and Dream Warriors. Think of the hip-hop talent blossoming across the country, from mainstream flirters like Cadence Weapon, Buck 65, K-OS and Kardinal Offishall, to lesser known but viciously potent rising artists like Abdominal, K’naan, Grand Analogue, Sixtoo, DL Incognito and Ghislain Poirier.
Even though three of Canada’s ten bestselling digital tracks in 2007 were hip-hop, according to SoundScan (though none were actually by Canadian artists), and Canadian hip-hop acts continue to gain critical notoriety and commercial success at home and abroad, it seems that this musical form lacks the respect and support afforded other genres by the federal agency committed to encouraging the arts.
Environmentally focused rapper Freeworm was given a grant, solo artists Red 1 and Kid Koala received professional development grants, and Aboriginal group [ed. artist] Eekwol was awarded a grant through the council’s Aboriginal Peoples Music Program.